How to Use It
- Pick or randomize the two variables before each run — this alone gives you effectively unlimited distinct outputs from one template, since palette × subject × the model's own randomness in composition means no two generations look alike.
- Paste the filled-in prompt into your video generator (Sora, Runway Gen-3/4, Kling, Pika, etc.).
- If the tool only makes 10s clips, generate clip by clip, using the last frame of one clip as the first frame (image-to-video) for the next, so the painting appears to progress rather than restart.
- Stitch clips together afterward in CapCut, Premiere, or similar.
How Many Videos You Can Generate From This
This is a template, not a fixed video — it doesn't have a hard limit. Practically speaking:
- Each unique combination of palette + subject produces a genuinely different video, since the AI also randomizes brush position, exact shapes, and pacing on every run even with identical text.
- With ~10 palette options × ~10 subject options, that's already 100 distinct prompt variations, and each one can be regenerated multiple times for further variety (since generation isn't deterministic).
- The only real limits are your video generator's usage quota/credits, not the prompt itself.
| Prompt |
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A cinematic close-up time-lapse video of an artist's hand painting a mosaic-style artwork on a textured dark canvas, inspired by stained-glass windows and aerial city maps. The canvas surface is divided into irregular organic cells and shapes by thick black outlines. Using a fine paintbrush, a hand slowly and precisely fills each cell with smooth, glossy, saturated acrylic paint, one shape at a time, in a randomly varied but harmonious color palette of [COLOR_PALETTE]. The painting gradually reveals a scene of [SUBJECT], built entirely from mosaic-style cells — some curved and organic like wings or leaves, others geometric like bricks, windows, or tiled patterns. Camera: close macro shots, shallow depth of field, slight handheld movement, occasional slow pull-back to show progress. Lighting: warm, soft studio lighting with visible wet-paint reflections. Texture: realistic skin texture on the hand, visible canvas grain, glossy wet acrylic sheen contrasted with matte dry sections. Pacing: time-lapse feel, brush strokes are deliberate and confident, no rushing or jitter. Ending: final shot pulls back to reveal the complete artwork with no hand in frame, natural even lighting. No text, no logos, no watermarks, no visible signature. |
| Copy Prompt |
Variables to swap out each time (this is what makes it non-repetitive)
Replace these two bracketed parts before each generation:
- [COLOR_PALETTE] — e.g. "teals and oranges", "deep purples and gold", "crimson and forest green", "monochrome blue with one accent of yellow"
- [SUBJECT] — e.g. "a brick townhouse with a staircase and ivy", "a coastal lighthouse and cliffs", "a forest canopy seen from below", "a koi fish in a pond", "a city skyline at dusk"
| Automatic Prompt |
A cinematic close-up time-lapse video of an artist's hand painting a mosaic-style artwork on a textured dark canvas, inspired by stained-glass windows and aerial city maps. The canvas surface is divided into irregular organic cells and shapes by thick black outlines. Using a fine paintbrush, a hand slowly and precisely fills each cell with smooth, glossy, saturated acrylic paint, one shape at a time. For each generation, randomly choose a fresh color palette (for example: teals and burnt orange, deep purple and gold, crimson and forest green, cobalt and warm sand, coral and cream, emerald and copper, rose and slate, mustard and charcoal — or any other harmonious combination) and a fresh subject for the painting to gradually reveal (for example: a brick townhouse with ivy and a tree, a coastal lighthouse on cliffs, a forest canopy from below, a koi pond, a city skyline at dusk, a greenhouse of tropical plants, a mountain village, a peacock, a desert canyon, a vintage train station, jellyfish in deep water, an owl at night, a Mediterranean hillside town). Do not repeat the same palette-subject pair across generations. The final image should be built entirely from mosaic-style cells — some curved and organic like wings, feathers, or leaves, others geometric like bricks, windows, or tiled patterns. Camera: close macro shots, shallow depth of field, slight handheld movement, occasional slow pull-back to show progress. Lighting: warm, soft studio lighting with visible wet-paint reflections. Texture: realistic skin texture on the hand, visible canvas grain, glossy wet acrylic sheen contrasted with matte dry sections. Pacing: time-lapse feel, brush strokes deliberate and confident, no rushing or jitter. Ending: final shot pulls back to reveal the complete artwork with no hand in frame, natural even lighting. No text, no logos, no watermarks, no visible signature. |
| Copy Prompt |